Godard - 'Pizza Throwing' Cassette EP
1. Fountains
2. Stark
3. Sunday
4. Royalty
Distorted Tapes is proud to be teaming up with Don't Shoot the Messenger to bring you Godard's latest EP, Pizza Throwing. Hailing from the Isle of Wight, these South Coast pop-punkers have been catching eyes for their hard work and frankly ace songs. 50 copies - 25 green shells here with Distorted Tapes, and a further 25 orange shells with DSTM.
If you're a fan of Taking Back Sunday, Gnarwolves or Joyce Manor, and you like your emo with a pop kick you are going to love these guys.
We quickly sold out of our limited number of Don't Shoot the Messenger's fluorescent orange copies, so make sure you get a greenie before it's too late!
Includes download code, unleashing all 4 tracks as MP3s to listen to at your convenience!
Split release between Distorted Tapes & Don't Shoot the Messenger
Limited to 50 copies
DDT008
Monday, 22 October 2012
Friday, 19 October 2012
DDT007 - CAVES - 'Grunge on the Beach' - Available Now!
CAVES - 'Grunge on the Beach'
1. Gold Beach
2. Rich Kids
3. Keanu Reeves
Get your order in quick as this release will surely fly! CAVES are pretty new to the B-town scene, however they've already played some impressive shows, including supporting JAWS earlier this year. Lo-fi summer jams, FFO Surfer Blood, Beach House, Wavves et al. I hear they are big Nirvana fans too, so they get big thumbs up from Distorted Tapes.
Pressing info: Run of 50 cassettes, includes mp3 download code
Order here: http://distortedtapes.bigcartel.com/product/caves-grunge-on-the-beach-pre-order
1. Gold Beach
2. Rich Kids
3. Keanu Reeves
Get your order in quick as this release will surely fly! CAVES are pretty new to the B-town scene, however they've already played some impressive shows, including supporting JAWS earlier this year. Lo-fi summer jams, FFO Surfer Blood, Beach House, Wavves et al. I hear they are big Nirvana fans too, so they get big thumbs up from Distorted Tapes.
Pressing info: Run of 50 cassettes, includes mp3 download code
Release Date: October 19th 2012
Order here: http://distortedtapes.bigcartel.com/product/caves-grunge-on-the-beach-pre-order
Saturday, 4 August 2012
DDT003 - Decadence in Berlin - 'Setbacks' - Available Now!
The cassettes feature a lovely fold-out sleeve with full lyrics, drawn by Robert Brown.
Pressing info - Run of 50 on pale blue cassette, includes download code, unleashing all 13 tracks as MP3s plus 2 additional exclusive tracks!
Release Date: August 4th 2012
Order now to avoid dissapointment, these won't be around long!
Monday, 2 July 2012
DDT005 - Lady Fortune - 'Brown Brogues & Plimsolls' EP - Pre-order now!
Lady Fortune - 'Brown Brogues & Plimsolls' EP Pre-order
1. Car Crash
2. International
Side B
3. Take It Back
4. You Know What You Do
5. Nylon
Distorted Tapes is stoked to be involved in the release of Lady Fortune's latest release, the stunning 'Brown Brogues & Plimsolls'. Featuring what is undoubtably some of their greatest material to date, the 10" will be out in early September and will be followed closely by a run of shows.
Release Date/Shipping: On or around September 3rd 2012
Check out the pre-order - first 50 orders will be shipped with exclusive lyric sheet and additional acoustic EP!
Monday, 25 June 2012
Distorted Tapes meets... Wrestling
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| Beyond the |
On hearing Wrestling
the last place you might expect them to come from is Wolverhampton. In fact,
they have more in common with 90s emo-revivalists stateside than the landfill indie
that their home-city usually tends to churn out. Y'know, the kind of bands that act like
brit-pop never died. Please folks, regardless of what the NME tells you, it
happened, get over it…. I digress. Yes, Wolvo, that’s exactly where they’re
from.
One of the most exciting and, crucially, different acts
currently plying their trade around the Midlands, the three-piece (comprised of
Rich on guitar, Gareth on bass and Andy on drums) have already notched up some
impressive gigs as well as releasing their debut EP, Wolf Town, on Man the Ramparts earlier this year. These guys have humour, passion and tunes, all wrapped up in a fuzzy lo-fi bundle that tugs at your ears and screams "Let's have a beer in the park!" It's hard not to smile with this trio on your stereo.
I went “beyond the mat” with the lads to find out how they
came to find their sound, what’s in store for the future, as well as the all-important
question… why Wrestling?!
For someone who
has never heard Wrestling, how would you describe what you are all about?
R: Fun! Foremost, we are about just having a laugh.
A: If you’ve been to one of our shows you’ll know we don’t really take ourselves too seriously!
R: We know the band is never going to amount to very much or make any money, so we just want to have as much fun as possible while writing some sweet jams. We are all long-time friends and really enjoy playing and hanging out with each other and to me that is what being in a band is about – good times with good people!
G: We play music that feels and sounds good to us. We're just 3 guys who enjoy jamming together and seeing what happens.
R: Sound-wise, we have been described as all sorts. I think my favourite one so far has been “you sound like Spy versus Spy... but not as good”! They are one of my all-time favourite bands so that was a real compliment for me.
G: We're happy to be described as fun shouty party jams, or similar. We bring a fresh yet raw approach - for instance, we utilise a minimal setup, guitar, bass, drums. The drums themselves are stripped down, the guitars don't use distortion or any other effects allowing the bass to really get involved, and as for our vocal styles, none of us can really sing but we all go for it.
R: I suppose in a nutshell we are an 'emo' band, but we are very wary of using that term due to the negative connotations associated with the genre it eventually evolved into. We have all sorts of sounds going on in our music, from fast punky bits and twinkly instrumental sections to all out cathartic epic screamo jams.
G: It's what I like most about being in this band, we're just raw and honest sounding.
R: Fun! Foremost, we are about just having a laugh.
A: If you’ve been to one of our shows you’ll know we don’t really take ourselves too seriously!
R: We know the band is never going to amount to very much or make any money, so we just want to have as much fun as possible while writing some sweet jams. We are all long-time friends and really enjoy playing and hanging out with each other and to me that is what being in a band is about – good times with good people!
G: We play music that feels and sounds good to us. We're just 3 guys who enjoy jamming together and seeing what happens.
R: Sound-wise, we have been described as all sorts. I think my favourite one so far has been “you sound like Spy versus Spy... but not as good”! They are one of my all-time favourite bands so that was a real compliment for me.
G: We're happy to be described as fun shouty party jams, or similar. We bring a fresh yet raw approach - for instance, we utilise a minimal setup, guitar, bass, drums. The drums themselves are stripped down, the guitars don't use distortion or any other effects allowing the bass to really get involved, and as for our vocal styles, none of us can really sing but we all go for it.
R: I suppose in a nutshell we are an 'emo' band, but we are very wary of using that term due to the negative connotations associated with the genre it eventually evolved into. We have all sorts of sounds going on in our music, from fast punky bits and twinkly instrumental sections to all out cathartic epic screamo jams.
G: It's what I like most about being in this band, we're just raw and honest sounding.
G: Richard and I go way back, high school and all that. We've been in numerous bands together including the legendary KRM, who were pretty much the greatest Wolf Town band of 2003.
R: We have played in various bands on and off for around 8 or 9 years now. Our last band was a kind of screamo outfit that sounded like a cross between Yaphet Kotto and City of Caterpillar, but it never really went anywhere. After a few years of doing nothing, we decided to start something new and asked long-time friend Andy, to play drums!
G: I knew Andy from working on the bars of the Civic Halls about 4 years ago now, and he was also in a pretty sweet pop punk band I'd seen live so I knew he kicked ass on the kit. Rich and Andy did something together for a while a few years ago as well so Rich always had him in mind when we decided to get together and jam some ideas mid-2010. Andy joined us later that year once we had a few songs down and we took it from there.
R: We settled on the name Wrestling due to a mutual love of the amateur wrestling that takes place on a monthly basis at infamous Wolverhampton nightclub The Planet.
G: We didn't decide on the name for a long time but when we did it was basically when we realised the only thing we really did together, outside the practice room, was to go and watch the FCP dudes go at it
A: Sadler suggested it and it felt right. We all go down to watch the FCP boys wrestle and we always have a right laugh.
R: By naming the band after it, it again kinda reflects our desire to have fun and not take things too seriously.
Compared to
other bands in the area you have a very different sound to your contemporaries.
What have been your main influences as a band?
R: Sound-wise, I am really into the re-emergence of the whole 'Mid-West' thing that is happening in the US at the moment and to a lesser degree some bands over here. I grew up with all the original bands so that sound has always been with me and very prevalent in a lot of my song writing. I am also really into old screamo bands, like Saetia and Indian Summer etc., so I try to combine the intensity and honesty of those bands, with the clean sound that is present in a lot of the Mid-West-esque bands.
G: Personally I listen to all sorts of stuff, but we'd be here forever if you got me started! I'm into a lot of stuff right now, and strangely none of it sounds like Wrestling!
A: I feel we never really went out of our way to sound a certain way; we just started to jam and the sound of Wrestling happened.
G: We never set out to emulate anyone… from the very beginning we would just jam riffs and ideas, we would do a lot of improv until we found something we liked. Some songs we've discarded along the way have had heavy post-rock elements, or they've been really slow and quite emotive, or just something that just wasn't really us, and at some point we found a sound that suited. We've even gone back and reworked songs to fit our sound now because we knew that even in our older stuff there was always at least one section or riff that we've liked and wanted to keep. We're all agreed that we didn't want to go the conventional song writing route, so you will rarely find a simple verse/chorus/verse,etc kind of structure to any of our songs. I like that we keep listeners on their toes, it keep things interesting!
R: Lyrically there is the usual crap, like friends, relationships etc., but there are also a bunch of references to the works of Tolkien. I am a huge fan of Lord of the Rings and everything associated with it, some quotes and themes from it are in quite a few of our songs that the nerdier listener may pick up on!
G: As for my lyrical content, mine are often observations from a third party view, not necessarily about myself or anything really that personal, so basically the complete opposite to Richard's. I like the contrast. We often don't know each other's lyrics, and quite often I don't know what I'm singing myself! I've actually been improvising a lot of our new songs lately and it felt good so I've kinda kept at it. In the end it all adds to the fun when on stage!
Not long ago you released your first EP, ‘Wolf Town’. Would you say that living in Wolverhampton played a part in shaping the songs on that record?
R: There are definitely some songs about growing up in a town that has very little prospects and the difficulty of escaping it. The last song on the EP, ‘Nick's Got a New Blackberry’, is about how your friends grow up, move away and start taking life more seriously and the conflicting feelings that come along with accepting their choices. We also have a lot of fun here though, and as shitty and run down as Wolverhampton seems a lot of the time, at the end of the day it is home and holds loads of awesome people and memories, I hope this comes across in some of the more positive songs we write!
G: It was always going to be about ol' Wolf Town. We recorded the EP in the heart of the city so it's all over the record really in spirit. Lyrically I know Richard's stuff relates, but for me the music just has that honesty about making the most of what you've got. I've never lived anywhere else and I still kinda love my hometown despite all the negativity surrounding the place.
‘Wolf Town’ came out on a limited cassette through Man the Rampart, how did that relationship come about?
A: I just heard some guy with the sweetest beard I’ve ever seen liked our demo and wanted to help us out by putting it out for us on his new label!
G: Rory Butterworth is an old school friend of mine and he came to see us play and he was just buzzing with energy afterwards. He told me he was starting a bit of a label/distro thing and wanted us to be his first release. He was so enthusiastic and we were up for anything really so we went for it. We recorded a bunch of tracks with Matt Pinfield (of Grandflat Productions and The Young Runaways) before Christmas and we just kick-started the New Year working together on the release. We decided early on we wanted to put out a cassette and from there Rory had these great ideas for the aesthetics and as you know it turned out pretty ace! We made a limited run of 50 individual tapes and we've almost sold out now, so we're pretty stoked how well received it all was. We can't wait to work with Rory again.
R: Rory truly is a pleasure to work with. He does a lot for us and really understands where we are coming from and what we want to do as a band, so we really appreciate everything he does for us.
G: And yes, he does have the sweetest beard I've ever seen, it's true.
R: Sound-wise, I am really into the re-emergence of the whole 'Mid-West' thing that is happening in the US at the moment and to a lesser degree some bands over here. I grew up with all the original bands so that sound has always been with me and very prevalent in a lot of my song writing. I am also really into old screamo bands, like Saetia and Indian Summer etc., so I try to combine the intensity and honesty of those bands, with the clean sound that is present in a lot of the Mid-West-esque bands.
G: Personally I listen to all sorts of stuff, but we'd be here forever if you got me started! I'm into a lot of stuff right now, and strangely none of it sounds like Wrestling!
A: I feel we never really went out of our way to sound a certain way; we just started to jam and the sound of Wrestling happened.
G: We never set out to emulate anyone… from the very beginning we would just jam riffs and ideas, we would do a lot of improv until we found something we liked. Some songs we've discarded along the way have had heavy post-rock elements, or they've been really slow and quite emotive, or just something that just wasn't really us, and at some point we found a sound that suited. We've even gone back and reworked songs to fit our sound now because we knew that even in our older stuff there was always at least one section or riff that we've liked and wanted to keep. We're all agreed that we didn't want to go the conventional song writing route, so you will rarely find a simple verse/chorus/verse,etc kind of structure to any of our songs. I like that we keep listeners on their toes, it keep things interesting!
R: Lyrically there is the usual crap, like friends, relationships etc., but there are also a bunch of references to the works of Tolkien. I am a huge fan of Lord of the Rings and everything associated with it, some quotes and themes from it are in quite a few of our songs that the nerdier listener may pick up on!
G: As for my lyrical content, mine are often observations from a third party view, not necessarily about myself or anything really that personal, so basically the complete opposite to Richard's. I like the contrast. We often don't know each other's lyrics, and quite often I don't know what I'm singing myself! I've actually been improvising a lot of our new songs lately and it felt good so I've kinda kept at it. In the end it all adds to the fun when on stage!
Not long ago you released your first EP, ‘Wolf Town’. Would you say that living in Wolverhampton played a part in shaping the songs on that record?
R: There are definitely some songs about growing up in a town that has very little prospects and the difficulty of escaping it. The last song on the EP, ‘Nick's Got a New Blackberry’, is about how your friends grow up, move away and start taking life more seriously and the conflicting feelings that come along with accepting their choices. We also have a lot of fun here though, and as shitty and run down as Wolverhampton seems a lot of the time, at the end of the day it is home and holds loads of awesome people and memories, I hope this comes across in some of the more positive songs we write!
G: It was always going to be about ol' Wolf Town. We recorded the EP in the heart of the city so it's all over the record really in spirit. Lyrically I know Richard's stuff relates, but for me the music just has that honesty about making the most of what you've got. I've never lived anywhere else and I still kinda love my hometown despite all the negativity surrounding the place.
‘Wolf Town’ came out on a limited cassette through Man the Rampart, how did that relationship come about?
A: I just heard some guy with the sweetest beard I’ve ever seen liked our demo and wanted to help us out by putting it out for us on his new label!
G: Rory Butterworth is an old school friend of mine and he came to see us play and he was just buzzing with energy afterwards. He told me he was starting a bit of a label/distro thing and wanted us to be his first release. He was so enthusiastic and we were up for anything really so we went for it. We recorded a bunch of tracks with Matt Pinfield (of Grandflat Productions and The Young Runaways) before Christmas and we just kick-started the New Year working together on the release. We decided early on we wanted to put out a cassette and from there Rory had these great ideas for the aesthetics and as you know it turned out pretty ace! We made a limited run of 50 individual tapes and we've almost sold out now, so we're pretty stoked how well received it all was. We can't wait to work with Rory again.
R: Rory truly is a pleasure to work with. He does a lot for us and really understands where we are coming from and what we want to do as a band, so we really appreciate everything he does for us.
G: And yes, he does have the sweetest beard I've ever seen, it's true.
You’ve got a
very DIY aesthetic to everything you do, was that a conscious decision you made
as a band, or just a happy accident?
A: I think we all feel the same about this; I’ve always had respect for bands who take the DIY approach.
R: For me, it is definitely a conscious decision. I think doing everything as DIY as possible is crucial if you want to maintain integrity and honesty as a band. We want to make the music we love without any compromise and to do it within a community of like-minded people who not only appreciate your music but also your intentions and ideals that surround that music is really important to us.
G: Yeah definitely a conscious decision. Like Richard said, we're an honest band, and whilst we want to have fun making and playing music, we don't want to compromise our music, or get fucked about, and I'm grateful that we have found ourselves in a great little community at present where everyone understands and is really supportive of each other. As punk rock as it may sound, being a dick gets you nowhere, a solid bit of old fashioned kindness is way cooler!
What are your feelings about the current music scene in Wolverhampton and the Midlands? Are there any bands you would recommend Distorted Tapes readers checking out?
A: The music scene in Wolves has seen better days! We grew up going to shows when we were young it’s just a shame that people don’t seem to do the same now. I think it’s on the up though as more sweet shows are going down in Wolves.
R: It is certainly getting better compared to what it used to be like, but it has a long way to go if it wants to resemble some of the more successful scenes like Leeds or Manchester and so on. In Wolverhampton especially, there is a real feeling of apathy when it comes to convincing people to come to a gig. We try to organise something ourselves once a month or so but it really is just a start. Fortunately, at the moment there are some great people around such as Distorted Tapes (aw shucks, guys!), Man the Ramparts and Let Your Fingers Do the Walking! who are trying to make something of the local scene.
I feel what Wolverhampton itself is really lacking is an independent venue that is willing to put on gigs at a reasonable price. At the moment, everything in the city is a pub or chain bar that doesn’t want to hear from you unless you can pay a massive fee or guarantee hundreds of people to turn up. Unfortunately, this is largely to do with the council who seem very reluctant to grant a music licence to anyone due to their fear of losing the monopoly they hold on live music. It really sucks.
G: I haven't felt that there's been much of a local music scene for many years now but since we played our first show last November it's become more and more apparent that, despite the lack of venues in Wolverhampton especially, there is something of a scene after all what with the likes of DT and LYFDTW working hard to put shows on. It's kinda reassuring and gives a lot of promise for the future. I agree with Rich on the need for a new independent venue for sure.
R: As far as local bands are concerned, there is of course God Damn who seem to be doing all the right things at the moment!
G: Those guys are seriously the best thing I've heard in a long, long time from this area. They're also neighbours of mine! I hear them through the walls at the lock up where my other band rehearses. Their new stuff blows my mind! Talking of my other band, (self-plug alert), we're called Women, we supported God Damn recently and if any DT readers like doom, sludge or stoner metal we're right up your street.
R: We are good friends with the pop-punk band Maycomb, and I for one am really looking forward to their album coming out. The recently deceased Cannons and Tanks were a really great band, so I am looking forward to seeing what they will do next. Human Hands are probably my favourite Midlands band though, anyone who likes early 90s screamo will love them. One of the members also runs the fantastic Eat a Book records, which is definitely worth your time and cash!
G: I'm also liking Birmingham band Them Wolves right now, excited to hear more from them, I think they have a record coming soon. In stark contrast in sound, there's Young Runaways who are excellent too. They're kinda folky indie, complete with trombone, trumpet and violin, and the frontman Matt Pinfield recorded the tracks for our tape so they're pretty ace in my book! There's plenty more I'm sure, there are just so many good bands in the Midlands right now it's really exciting.
What have Wrestling got planned for the rest of the year?
A: Hopefully play some more sweet shows!
G: We aim to play as many shows as possible so if anyone out there wants to put us on just hit us up on Facebook, send Richard an email. Just ask; we'll play anywhere we can!
R: I have organised a really awesome show in July at Scruffy Murphy's in Birmingham featuring some really awesome British Mid-Westy bands, like Nai Harvest and Zola, so I am really looking forward to that.
G: We're also working in collaboration with Rory at MTRR on a t-shirt design so we can work up some more funds and very soon we are recording new tracks with Matt Pinfield for what will hopefully be a 7” vinyl release this summer on MTRR again. We're hoping it might be a split so that will be really fun if we can pull it off!
A: I think we all feel the same about this; I’ve always had respect for bands who take the DIY approach.
R: For me, it is definitely a conscious decision. I think doing everything as DIY as possible is crucial if you want to maintain integrity and honesty as a band. We want to make the music we love without any compromise and to do it within a community of like-minded people who not only appreciate your music but also your intentions and ideals that surround that music is really important to us.
G: Yeah definitely a conscious decision. Like Richard said, we're an honest band, and whilst we want to have fun making and playing music, we don't want to compromise our music, or get fucked about, and I'm grateful that we have found ourselves in a great little community at present where everyone understands and is really supportive of each other. As punk rock as it may sound, being a dick gets you nowhere, a solid bit of old fashioned kindness is way cooler!
What are your feelings about the current music scene in Wolverhampton and the Midlands? Are there any bands you would recommend Distorted Tapes readers checking out?
A: The music scene in Wolves has seen better days! We grew up going to shows when we were young it’s just a shame that people don’t seem to do the same now. I think it’s on the up though as more sweet shows are going down in Wolves.
R: It is certainly getting better compared to what it used to be like, but it has a long way to go if it wants to resemble some of the more successful scenes like Leeds or Manchester and so on. In Wolverhampton especially, there is a real feeling of apathy when it comes to convincing people to come to a gig. We try to organise something ourselves once a month or so but it really is just a start. Fortunately, at the moment there are some great people around such as Distorted Tapes (aw shucks, guys!), Man the Ramparts and Let Your Fingers Do the Walking! who are trying to make something of the local scene.
I feel what Wolverhampton itself is really lacking is an independent venue that is willing to put on gigs at a reasonable price. At the moment, everything in the city is a pub or chain bar that doesn’t want to hear from you unless you can pay a massive fee or guarantee hundreds of people to turn up. Unfortunately, this is largely to do with the council who seem very reluctant to grant a music licence to anyone due to their fear of losing the monopoly they hold on live music. It really sucks.
G: I haven't felt that there's been much of a local music scene for many years now but since we played our first show last November it's become more and more apparent that, despite the lack of venues in Wolverhampton especially, there is something of a scene after all what with the likes of DT and LYFDTW working hard to put shows on. It's kinda reassuring and gives a lot of promise for the future. I agree with Rich on the need for a new independent venue for sure.
R: As far as local bands are concerned, there is of course God Damn who seem to be doing all the right things at the moment!
G: Those guys are seriously the best thing I've heard in a long, long time from this area. They're also neighbours of mine! I hear them through the walls at the lock up where my other band rehearses. Their new stuff blows my mind! Talking of my other band, (self-plug alert), we're called Women, we supported God Damn recently and if any DT readers like doom, sludge or stoner metal we're right up your street.
R: We are good friends with the pop-punk band Maycomb, and I for one am really looking forward to their album coming out. The recently deceased Cannons and Tanks were a really great band, so I am looking forward to seeing what they will do next. Human Hands are probably my favourite Midlands band though, anyone who likes early 90s screamo will love them. One of the members also runs the fantastic Eat a Book records, which is definitely worth your time and cash!
G: I'm also liking Birmingham band Them Wolves right now, excited to hear more from them, I think they have a record coming soon. In stark contrast in sound, there's Young Runaways who are excellent too. They're kinda folky indie, complete with trombone, trumpet and violin, and the frontman Matt Pinfield recorded the tracks for our tape so they're pretty ace in my book! There's plenty more I'm sure, there are just so many good bands in the Midlands right now it's really exciting.
What have Wrestling got planned for the rest of the year?
A: Hopefully play some more sweet shows!
G: We aim to play as many shows as possible so if anyone out there wants to put us on just hit us up on Facebook, send Richard an email. Just ask; we'll play anywhere we can!
R: I have organised a really awesome show in July at Scruffy Murphy's in Birmingham featuring some really awesome British Mid-Westy bands, like Nai Harvest and Zola, so I am really looking forward to that.
G: We're also working in collaboration with Rory at MTRR on a t-shirt design so we can work up some more funds and very soon we are recording new tracks with Matt Pinfield for what will hopefully be a 7” vinyl release this summer on MTRR again. We're hoping it might be a split so that will be really fun if we can pull it off!
facebook.com/wrestlingtheband
Tuesday, 1 May 2012
Distorted Tapes meets... Burning Buildings
I first stumbled across Burning Buildings sometime last summer, and was instantly taken with them. Their self-titled EP, released last year, demonstrates a mixture of influences and an inability to settle on just one "sound". This results in a band who are both an exciting and challenging listen, but rewarding none-the-less. They've also done a couple of 8-bit style remixes of their own tunes as well as Tall Ships' 'Plate Tectonics'. You could find yourselves asking is their any genre left safe from the creative collective hands of Burning Buildings? James (guitar), Alex (bass) and Nicholas (drums) were kind enough to let me ask some questions about their band, as well as annoy them with several questions about buildings. Thanks guys!
Who are Burning Buildings?
Burning Buildings are a band, and there are three of us, and we are friends who play music together.
How did you form, and why Burning Buildings?
We formed because we all live near to one another in the middle of nowhere, so boredom (and musical interest) brought us together and that seems to be working so far. We called ourselves Burning Buildings when a house burnt to the ground while we were trying to think of names. It's pretty terrible, but it's just as bad as "The Red Hot Chili Peppers" and they seem to do okay for themselves.
You've got a very diverse sound - listening to last years' self-titled EP sees you go from pop-rock, to 90s hardcore, and there's even an 80s style sax solo in there! Who would you say have been your biggest inspirations or influences as a band?
We try to be intentionally spastic and change styles as much as we can. We all listen to pretty different styles of music, so we get bored if we do the same thing too often. Repeating ourselves is the only sin when writing our songs, so a lot of ideas that probably shouldn't make it past the drawing board are included just for their being sheer fun to play. Collectively, our influences are probably Bon Iver, Weezer, Tall Ships, most 90s "grunge", and Joanna Newsom.
Do you guys like A? They had an album called 'How Ace are Buildings' which had a picture of a burning building on.
We remember A. They didn't want that job at Starbucks. Worked well for them!
What have you got up your collective sleeves for 2012?
2012 has so far been trying to agree on how to write songs, and now we've written a handful that we're happy with, so we hit the studio pronto-soon to release a split with some friends of ours, and then hopefully another EP. We're not happy with how many shows we're playing either, so we need to sort that out even pronto-quicker.
Am I right in thinking you live somewhere between Liverpool and Manchester? If so, what are the benefits of such a geographical location?
We live in Warrington, which is bang between Manchester and Liverpool. While you'd think it's great to be so close to two huge hubs of creativity and fun, actually it's just aggravating; it's like being stuck in limbo. But we love both, and try to play there as often as we can, and hopefully one day have enough money to pick one and move there and set up camp properly.
Can you recommend any great bands from your neck of the woods?
Other bands that we'd recommend taking a listen to: Doctrines, who are lovely, crispy, shouty, jangly punk, and gentlemen all round. Vasco Da Gama from Liverpool are excellent for those who like a bit of math thrown in. Knife Crimes are lovely filthy metallic hardcore, in a good way.
And finally, if you were a building, which building would you be and why?
If we were a building, we'd be the Chrysler Building, because it's so pretty.
Last year's Burning Buildings EP is available for free download, or physical purchase for a modest £4, from burningbuildings.bandcamp.com. For more information on Burning Buildings visit facebook.com/burningbuildings
Illustration credit: Robert Brown (http://pygmyking.blogspot.co.uk)
Monday, 2 April 2012
Distorted Tapes meets... We Are Knuckle Dragger
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| We Are Knuckle Dragger L-R: Aran, Shaun and Peter |
Remember that scene from 2001: A Space Odyssey where the monkeys beat the crap out of each other with sticks? Yeah? Now imagine those monkeys were in fact three highly evolved musicians out of Newcastle, who rather than use primitive weapons to crack open skulls use a guitar, a bass and a drum kit to front their aural assault. Featuring members of yourcodenameis:milo, Contraband and Scrabo, We Are Knuckle Dragger are the bastard-child of experimental metal, punk and hardcore who, with the release of their first full-length record Tit for Tat, are bound to get fans of big-ass vicious noise frothing at the mouth.
The three-piece, comprised of guitarist/vocalist Aran Glover, sticksman Shaun Abbott and bassist Peter Currie, recorded Tit for Tat last summer with Steve Albini at his Electrical Audio Studio. For those of you who don’t know Albini, he’s only the man responsible for engineering some of the greats – Nivana, Pixies, The Jesus Lizard, and Helmet to just name a few. And with Albini’s oeuvre in mind, you’ll understand where WAKD are coming from. Clocking in at just over half an hour, the 13 tracks that make up Tit for Tat waste no time carving a niche in your brain – take lead single ‘Mr Son of a Bitch’ as a case in point: one minute forty six of twisting guitars and punishing percussion. Perfection. They’re also fond of a good pun; ‘The Mashed Avenger’ and current single ‘Comparison Ford’ being two of the finest examples of the biting humour that underlies the bile.
With the album now out, the band hit the road with Meshuggah, taking in 8 dates around the UK. There is also a UK tour in the works for the summer, which will see them return to The Flapper on June 5th. I caught up with Aran to get the low-down on the new record and find out all about Albini’s taste in TV!
Q: How would you describe the sound of We Are Knuckle Dragger to the uninitiated?
Abrasive unapologetic drunken monkey garbage!
Q: You've all been in other bands before this, so how did WAKD form? And how did you decide upon such a memorable name?!
Long story short, Shaun's old band and mine shared a practise space and when both acts disbanded around the same time we agree to collaborate on some ideas. I knew Pete from Belfast's music scene and already had him in mind for the project titled Knuckle Dragger, in reference to the shaved ape like characters we all see on the street every day. "We Are" was added later to distinguish us from a now defunct American band with the same name.
Q: Your first full-length, 'Tit for Tat', has just hit the shelves, and was recorded with Steve Albini, the man responsible for countless awesome records. What was it like working with such a renowned producer, and how was the recording process in general?
It was our extreme pleasure to get to travel to Chicago, stay with Steve at Electrical Audio, and make our first record. He's a pretty inspirational guy with a world class approach to live recording which is how we like to work in the studio. It's the best way to be completely honest about the sound you make as a group. When we arrived Steve had just returned from a European tour with Shellac so the first number of days were jet lag recovery and shit TV (cookery or poker if Albini had the remote), and then in the last 3 days we put down 13 tracks, all of which appear on the album.
Q: What can we expect from the new record?
You can expect more of what we've always done, but taken to the next level. We worked very hard but I think we'd all agree that writing the album came quite naturally to us, without having to force any songs into completion, if you know what I mean. It's a loud bastard with big fuck off riffs! Jurassic Park!
Q: You've been fortunate to play with a lot of fantastic bands over the last couple of years, have you got any recommendations for bands we should be keeping an eye on? Are there any acts in Newcastle that we should pay attention to?
We selected some fine Newcastle acts to support us at our album launch on March 30th in Newcastle Uni Basement - Nately's Whore's Kid Sister, Fathoms, and Richard Dawson. Incredible stuff right there! Cauls from Newcastle have been on our speakers a lot as well. Also just recently we played with our Irish pals Lafaro and And So I Watch You From Afar, who are amazing! We're very lucky to get to play with such great acts.
Q: What have you got in store for the rest of 2012?
Well the album hits the shelves April 2nd, and then we have the Meshuggah and Animals As Leaders tour in April!! That's gonna be something really special. Then planning a UK tour of our own in June, Irish tour July, and some festivals that we'll be announcing down the line. Main plan........... FUN!!
Tit for Tat is out now on Sapien Records
Follow We Are Knuckle Dragger on Facebook
We Are Knuckle Dragger play The Flapper on June 5th 2012
More info here: Facebook event
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